I’m reading “3 Cups of Tea” now and it is a good book. It is the true story of a man who has been building schools in rural areas of Pakistan. The book was written by a reporter who spent nearly 3 years researching and interviewing the subject of the book. While the book is good and I recommend it, this post is really more about the writing style.
When I read now, I try to pay more attention to how things are written. In this particular book, one thing that bothers me is that it seems over-descriptive. Every noun seems to have a string of adjectives with it. It is still a good read, but I think the writer is so focused on describing everything that it takes away some from the key points. If everything is described completely, how do I easily know which parts deserve more or less of my attention?
My writing tends to the sparse side, not because I have trouble finding adjectives, but because I think they need to be important. If a character is only going to be in a story for a short period of time and is primarily a device to advance the plot, I don’t want to spend a lot of time and words building that character up. An important character should be described frequently and fully, with consistency through-out the work. I find the over-description of the unimportant to be just as annoying as the under-description of the important.
I also think that style of writing misses the power of the reader. If it does not matter whether a character is fat or thin, then let the reader’s mind fill in the character any way that seems appropriate to the reader. For any story, there is a balance between what the writer tells the reader and what the reader’s imagination brings to the story.
To me, that balance is one of the biggest things that separates the artistry of great writing from mere technical skill. A person with excellent grammar and a strong vocabulary can write effectively and descriptively, but artistic writing gives room for reader inferences, detours and interpretations.
Here’s a truly classic example. In the King James version of the Bible, God prepared a great fish to swallow up Jonah. It doesn’t get more sparse than that description. (Book of Jonah, Chapter 1, verse 17)
How big? We don’t know. Did it have teeth? We don’t know. Could it have been a whale? Might have been. Could it have been a robot fish made by God just for the sole purpose of swallowing Jonah? Sure, why not? Could it have just been a naturally occuring sea bubble released from a volcanic eruption that happened to have 3 days of air in it? No, that’s the kind of scientific mumbo-jumbo that will get you banned from textbooks in Kansas.
The beauty of this example is that it doesn’t really matter. All that matters is that God was powerful enough to get Jonah inside a sea phenomenon and keep him alive for 3 days. A few details might have made the story more interesting, but they also would have taken the focus off the guy who made the fish. And since some of us think whales, some think sharks and some think giant robots, the story lets us pick our individual favorite. The focus stays on the story and main characters, not on describing a fish that peeks our curiousity, but ultimately is irrelevant.